[script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-6169568552679962" crossorigin="anonymous"][/script]

“The Coronary heart of The Matter” by Srishti Rana Menon at Nature Morte


My good friend Aditi of PureGhee Designs invited me to affix her for a dialog between David Abraham and Srishti Rana Menon at Nature Morte final week. ( At Nature Morte at Vasant Vihar. ) The dialog was moderated by Peter Nagy who’s the proprietor of the artwork gallery.

I’ve identified Srishti’s work due to having seen it on the Delhi Modern Artwork Week a number of occasions beforehand. Srishti additionally occurs to be my faculty mate though I don’t consider we knew one another once we have been there collectively. It was a LARGE faculty!

The Coronary heart of The Matter, Srishti’s new present at Nature Morte is on until tomorrow, the ninth of September. Whereas I’d encourage you to go and go to, I’m unsure what number of of you’ll really make the journey contemplating all of the visitors restrictions for the G20 summit. I wished to write down in regards to the dialog and Srishti’s artwork the second I exited from the gallery however life transpired and I’m solely getting an opportunity to take action now.

Whereas many of the dialog was round Srishti’s time at NID and among the widespread academics and others that David and Srishti knew from NID, there have been additionally different attention-grabbing topics like how textile design has knowledgeable and influenced Srishti’s work in addition to the artist’s course of.

Beneath is how I’ve seen most of Srishti’s work until now. Giant scale canvases with what she calls the “swimming pools”. These are acrylics on canvas and so they take a very long time to dry, particularly throughout the sizzling and humid months, which have been fairly just a few throughout this monsoon season. I strongly recognized with this example as a result of it’s the identical one I’ve been whingeing about for the previous 3-4 months. I too work with acrylic and the whole lot takes exponentially longer to dry – brooches and canvases.

For this present, Srishti additionally had a ton of recent items, on paper. Giant format in addition to medium and small format. She has labored on paper with a mix of various media. Pigments, acrylics, and so on. They appeared extra influenced by her textile design schooling and lot extra colourful and chaotic, precisely how I really like artwork! She calls these hearts and I used to be delighted to see such great work being introduced into the gallery area.

I really like the explosion of colors. Engaged on paper may be very totally different from engaged on canvas. Whereas the canvas and the acrylics give Srishti much more management over drying occasions, particularly when she desires issues to dry slower, paper just isn’t so affected person.

Srishti is already contemplating a bigger studio area as a result of the demand for her bigger format acrylics is skyrocketing.

Beneath, left to proper, Srishti Rana Menon, Aditi Prakash and me.

There have been a number of questions that got here up for after attending this dialog.

One, why does nobody discuss electrical energy payments when one is an artist?! Mine are insane! Air conditioners and ceiling followers operating continuous all summer season and throughout the monsoon season and room heaters and ceiling followers operating all winter season. And even these should be regulated fastidiously, relying on the kind of paint and paint software. If not regulated, the paint can crack or dry “improper”.

Two, what does it appear to be, in day by day life, to be an expert artist? Somebody like Srishti for instance. How does one even “develop into” an expert artist? The barrier to entry is quite a bit larger than say being a photographer. One could possibly be making artwork for years earlier than one sees any type of “success”, which leads me to, “What does a profitable artist appear to be?” Is it industrial success? Is it inside peace? It’s in all probability a mixture of a number of components however I think about that industrial success would play a big position.

I additionally got here to appreciate that each artist’s work is knowledgeable by their schooling, they experiences and their complete life previous to them making that piece of artwork. In Srishti’s case, it’s Rothko and Textile Design. In my case, I’m not so positive. And I’ve been fascinated by that. Possibly I’ll determine it out finally.

Thanks for studying. Now please go help that artist whose work you’re keen on. If you’ll be able to purchase their artwork, do this. If not, artwork galleries are open to the general public, go take a selfie with their artwork and publish in your social media. ( After checking with the gallery or the artist that it’s okay to take action. Some artists and galleries are not looking for any pictures to be taken. )



Leave a Reply

Your email address will not be published. Required fields are marked *